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Reblog of my 2013 list of 5 Christmas songs, this is the 5th and last one……

thecuriousastronomer

The fifth and final Christmas song I thought I’d share with you is “Happy Christmas (War is Over)” by John Lennon, released in 1971 in the USA and 1972 in the DUK.

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This song was part of a long running anti-war campaign by John & Yoko which included the “bed-ins” for peace in Amsterdam and Toronto, the 1969 single Give Peace a Chance, and a billboard campaign which is shown in the video. Lennon said in a 1980 interview that he wanted to write a Christmas song so that there was an alternative to White Christmas. John & Yoko are joined in the song by the Harlem Community Choir.

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Reblog of the 4th of my five Christmas songs from 2013. I think the YouTube link has stopped working. If I get time today I will see if I can replace it. 

thecuriousastronomer

The fourth Christmas song I thought I’d share is “Stop the Cavalry” by Jona Lewie. It got to number 3 in December 1980.

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Reblog of my 3rd of 5 Christmas songs (from 2013)

thecuriousastronomer

The third Christmas song I thought I would share with you is “Fairy tale of New York” by The Pogues and Kirsty MacColl.

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This song was released in 1987 and reached number 2 in the DUK charts. It is one of my favourite Christmas songs, and has consistently been in the top 5 in various “all time greatest Christmas songs” lists.

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The second reblog of my 5 Christmas songs – today “Little Drummer Boy”, sung by David Bowie and Bing Crosby. With Bowie’s death earlier this year, it is nice to remember this rather unusual pairing.

thecuriousastronomer

The second Christmas song I thought I’d share with you is “The Little Drummer Boy / Peace on Earth”, sung by Bing Crosby and David Bowie, probably the most unlikely pairing ever for a duet.

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This song was recorded in September of 1977 to appear on Bing Crosby’s Christmas TV Special. Crosby died the following month, but the show went out as planned on US and DUK televisions. The song was not officially released as a single until 1982.

There has been much speculation as to how and why such an unlikely pairing took place. Many suggest that Bing Crosby had no idea who David Bowie was, and he certainly does seem to look at him with what appears to be a mixture of amusement, contempt and confusion. As for Bowie, suggestions for his reasons for appearing on Bing Crosby’s show range from that his mum would like…

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In the lead up to Christmas, I’ve decided to reblog the 5 Christmas songs which I originally blogged in 2013. Here is the first of the 5.
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thecuriousastronomer

I thought I would blog about five Christmas songs between now and Christmas. The first of the five Christmas songs I’ve chosen to share is “When a Child is Born”, sung by Johnny Mathis. This was a big hit for Mathis in 1976, reaching number 1 in the Disunited Kingdom, and it had the coveted number 1 spot for the Christmas of that year.

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It is not my favourite song by any stretch of the imagination, in fact I find it quite irritating. But I thought I would include it because I remember it being played for week after week on Top of the Pops when I was a child. It is still, to date, the only Johnny Mathis song I know.


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Last week, my attention was drawn to an article entitled “Here’s Why There Ought to be a Cap on Women Studying Science and Maths”, which actually appeared on the alt-right website Breibart back in June 2015. Breibart is a right-wing site founded by Andrew Breibart, and the website’s current executive chairman is Stephen Bannon, who has recently been named by president-elect Donald Trump as his chief strategist in Trump’s new White House team.

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Women: Know Your Limits! (a comedy sketch by Harry Enfield)

“Here’s Why There Ought to be a Cap on Women Studying Science and Maths” is what I can only describe as a diatribe, written by Milo Yiannopoulos, and Englishman who seems to have become one of the main voices for the kind of misogynistic nonsense which many in the “contrastive right” like to spout. I don’t want to give any more attention to the utter drivel that Yiannopoulos writes in his article, but I thought I would quote just a few lines.

Even women who graduate with good degrees in science subjects often don’t use them: they switch careers in their twenties, abandoning the hard sciences. In some cases, they simply drop out of the workforce altogether. This is a disaster for the men who missed out on places, and it’s a criminal waste of public funds.

That’s why I think there ought to be a cap on the number of women enrolling in the sciences, maths, philosophy, engineering… and perhaps medicine and the law, too. It’s hugely expensive to train a doctor, but women have something like a third of the career of a man in medicine, despite having equal access to Harvard Med. Women make up the majority of medical students.

In addition to twisting statistics and misquoting feminist academics to support his theory that women are not really capable of doing science, Yiannopoulos even suggests that there should be caps on women studying law! Interestingly, Yiannopoulos himself has started and failed to complete degrees at two different universities, which I guess means that he is a bit of an expert on failure and wasting taxpayers’ money.

Anyway, there is really no way to argue logically with an imbecile like Yiannopoulos, his views are best countered by a bit of humour. So, here is a wonderful sketch by Harry Enfield – “Women: Know Your Limits!”. Enjoy!

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Continuing my blogposts about the Daily Telegraph’s list of the 30 best Bob Dylan songs, here are 25 to 21 in their list. Once again, I have put the text which appeared in the Daily Telegraph in block quotes, the other stuff written about each song is by me.

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Bob Dylan granted his first interview since being awarded the 2016 Nobel prize in literature to Edna Gundersen.

  • 25 – Every Grain Of Sand
  • 24 – Just Like A Woman
  • 23 – Make You Feel My Love
  • 22 – Isis
  • 21 – Ain’t Talkin’

25. Every Grain Of Sand (1981)

For me, “Every Grain Of Sand” is far and away the best song of Dylan’s ‘Christian period’ (1979-1981). It is the last track on his 1981 album Shot Of Love, and is less bombastic and preachy than most of his Christian songs. The lyrics are sublime, the harmonica playing is majestic. It is one of my favourite Dylan songs, and I would place it higher than 25 in my personal list of the greatest Dylan songs.

The outstanding song of Dylan’s early-Eighties born again Christian phase achieves a stark, hymnal rapture. Riding on a gentle guitar arpeggio, Dylan detects the hand of God in everything, with a lyric worthy of William Blake at his most mystical.

24. Just Like A Woman (1966)

One of the most beautiful Dylan love songs, “Just Like A Woman” sets hauntingly beautiful lyrics against a wonderful waltz rhythm. If you want to convert people to Dylan, this is a good song to play them. It shows Dylan’s ability as not just a lyricist, but also as someone who can write a haunting melody too. It was recorded in March 1966, and released as a single in August of the same year. It is also the last track on the 2nd side of his seminal double album Blonde On Blonde.

Said to have been inspired by a brief encounter with tragic Andy Warhol starlet Edie Sedgwick, Dylan’s delicate waltz concocts a lyrical spider’s web equal parts cynical put down and heart-rendering desire. It even features a rare and perfect middle eight, a songwriting device Dylan once claimed he had no use for.

23. Make You Feel My Love (1997)

The song made famous by Adele, but for me Dylan’s original version is better. Don’t get me wrong, I like Adele’s version, it is wonderful. But, Dylan’s version has, for me, so much more depth and authenticity to it. Such lyrics seem to mean far more coming from an older person in their 50s than from a young lady of just 19. The lyrics to this song are beautiful, a wonderful example of why Dylan is completely worthy of a Nobel prize in literature.

An artist celebrated for his depth and complexity, Dylan also has a gift for beautiful simplicity. This ballad of loving devotion became a 21st-century karaoke favourite via Adele’s soulful 2008 cover. The corny sentiment is brought into focus by elemental imagery dovetailing perfectly with an elegant melody in a gorgeous falling cadence. It features another rare Dylan bridge.

22. Isis (1976)

“Isis” is the second track on Dylan’s 1976 album Desire. I love this album, I think if it hadn’t come out after Blood On The Tracks, it would be more highly thought of, but it lives in the shadow of that 1975 masterpiece. “Isis”, co-written with Jaques Levy, is a wonderful song full of fantastic imagery. To my mind, there aren’t any weak songs on Desire, but this song is one  of the highlights of a great album.

Co-written with theatre director Jaques Levy, Isis is a rattling narrative epic of myth and marriage, composed with the melodramatic flourish of Rudyard Kipling and delivered by Dylan over a pounding piano with grandstanding relish: “The wind it was howling and the snow was outrageous!”

21. Ain’t Talkin’ (2006)

“Aint Talkin'” appears on Dylan’s 2006 album Modern Times. It is the last track on the album, and opens with a haunting fiddle and piano. The song was recorded in April 2006, and is the  longest track on the album, at nearly 9 minutes. The opening lines grab the attention straight away – “As I walked out tonight in the mystic garden / The wounded flowers were dangling from the vines / I was passing by yon cool and crystal fountain / Someone hit me from behind.”. Where is this song going? It unfolds over the next 9 minutes, it is a beautiful song and one of my favourites on Modern Times.

During almost 9-minutes of restless yearning over a silky weave of fiddle, piano, picked guitars and percussion, the ageing bard cast himself as eternal pilgrim on an endless and bloody journey of spiritual hunger. “I practice a faith that’s been long abandoned / Ain’t no altars on this long and lonesome road.”

Just Like a Woman (number 24)

Of the songs from 25 to 21, today I am going to share this very interesting version of “Just Like a Woman”. Interesting in that it is the first take of the song; Dylan even tells the recording engineer the name of the song before he starts playing, and its name at this early stage is “Like a Woman”, not the title he finally gave it. For anyone familiar with the version on his seminal 1966 album Blonde on Blonde, you will notice quite a few differences in the lyrics in this first take of the song.

“Just Like a Woman” was recorded in March 1966 and released as a single in August of the same year. It is also on his 1966 album Blonde on Blonde. It peaked at number 33 in the US singles charts. In the Disunited Kingdom a version was released by Manfred Mann in late July 1966 (before the US release of Dylan’s original version!) which got to number 10 in the singles charts. The lyrics that I have included below are the lyrics of the version on Blonde on Blonde, so see if you can spot where this first take differs from those lyrics.

Nobody feels any pain
Tonight as I stand inside the rain
Ev’rybody knows
That Baby’s got new clothes
But lately I see her ribbons and her bows
Have fallen from her curls
She takes just like a woman, yes, she does
She makes love just like a woman, yes, she does
And she aches just like a woman
But she breaks just like a little girl

Queen Mary, she’s my friend
Yes, I believe I’ll go see her again
Nobody has to guess
That Baby can’t be blessed
Till she sees finally that she’s like all the rest
With her fog, her amphetamine and her pearls
She takes just like a woman, yes, she does
She makes love just like a woman, yes, she does
And she aches just like a woman
But she breaks just like a little girl

It was raining from the first
And I was dying there of thirst
So I came in here
And your long-time curse hurts
But what’s worse
Is this pain in here
I can’t stay in here
Ain’t it clear that—

I just can’t fit
Yes, I believe it’s time for us to quit
When we meet again
Introduced as friends
Please don’t let on that you knew me when
I was hungry and it was your world
Ah, you fake just like a woman, yes, you do
You make love just like a woman, yes, you do
Then you ache just like a woman
But you break just like a little girl

According to his website, Dylan first performed “Just Like a Woman” in April 1966, before it had been released. In fact, if you listen to the radio programme about the Judas heckle, you will hear C.P. Lee saying that Dylan performed this song at that famous concert in Manchester in May 1966 (you can also hear it on the recording of that concert, which was released in 1997 as the CD Bob Dylan Live 1966 (subtitled the ‘Royal Albert Hall’ concert, even though it was actually at the Manchester Free Trade Hall).

Dylan’s most recent performance of the song was in November 2010, and he has performed it a remarkable 871 times at the time of my writing this blogpost.

Here is a video of this fabulous song. If the video will not play on your device (a message I kept getting when I tried to play it in the preview to this blogpost), then here is the link to the video. Because it is on Dylan’s official VEVO site, it should not disappear like most of his videos put on YouTube.

Enjoy!

Of the songs from 25 to 21, which is your favourite?

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